Does EVERY filmmaker make at least ONE depressing film?
- STUDIES HAVE SHOWN that every filmmaker makes at least one film in their life, usually in their mid to late teens, that deals with one of the following topics:
- - depression
- - suicide
- - relationship break-down
- - death
- - blood, gore, violent crime
- - zombies & vampires
- OK, I made that bit up -- 'studies have shown...' -- but I have a hunch.
- It's my new thesis-on-the-fly. As we search for films, I've been talking to Media teachers in secondary schools, I've observed it myself at student film nights, and I've also observed it in my own filmmaking career. I remember back in the 90s, our group of young filmmakers at Open Chanel (Melb) made a short drama about a guy who went crazy and shot the whole family. Ew yeh, so tragic.
- So here's my (rough) theory:
- we all make at least one rite-of-passage film.
- We say to ourselves, "I'm now old enough to make a film like this", so as if to prove our own maturity, we make it. Blood gushing, people in terror, sadness, death... it will be R rated, or close to... but whatever form it takes, it will definitely NOT be suitable for showing to our little sister without giving them serious nightmares for the next 20 years.
- Is this right?
- Apparently EMO died when MYSPACE died. But the angst-ridden emotion that lay behind it all lives on in new guises, especially among young filmmakers. Is this right?
- What do you think?